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The
Late 1980's Galleries
Red Blue Yellow Details
| Red
- Blue
- Yellow Painting
Details
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| Installations / details of Red Blue Yellow Works | |
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 Composition with Red Blue and Yellow Confronted by the Red Blue Crutch 1986 |
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Supremus
50 Draped by the Red Blue Crutch 1986 |
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Tableau
1 - Unie, Union with Red Blue Crutch 1986-87 |
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Nach,
Nach, Nach thesis / antithesis / synthesis 1987 |
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Simultaneous
Counter Composition with Red Blue Crutch axonometric / trimetric / altrimetric 1987 |
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The
Scope of Total Architecture 1988 |
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The
Modular Ambulant 1988 |
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Ontology
of Red Blue Crutch Monument for the Third International 1988 |
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Aaron's
Rod plasmolysis / osmotic / hypertonic 1988-89 |
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Detail
of a panel: Tableau 1 - Unie, Union with Red Blue Crutch 1987 |
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Figures
with Red Blue Crutch 1987 |
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Installation of Figures with Red Blue Crutch 1987 |
| "While
my art may seem Post-Modern on the exterior, upon careful investigation
you can see that I view Postmodernism with some scepticism. Rather and
to the contrary, with a deeply sardonic sense my work has pointed to the
pitfalls of any idealistic aesthetic, in its inability to encompass all
factors, particularly from the perspective of any marginalized subgroup,
such as the handicapped, minority group, etc. The marginalized are at
best, often the missing piece of the puzzle in most ideologies; or at
worst, often times, the cornerstone which the builders negated to insert.
If Post-Modernist theory considers the marginalized (in praxis), within
the scope of it's overall deconstruction/reconstruction of reality and
sociopolitical issues, then I am indeed Post-Modern!" G. Pas |
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... click on any of the above images for an enlargement ...
