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note: The late eighties were very productive years for Gerard: in order to accommodate the numbers of works we have divided this aspect of the gallery into several sections, of which this gallery is just one section. This is the Drawing Gallery for "Red - Blue - Yellow Works". To view the "Sculpture Gallery" please click here". For the "Painting Gallery please click here". To return to the "Red-Blue-Yellow Lobby please click here". To view all the "Works of the Eighties please click here".
|   Red 
          - Blue 
          - Yellow Works 
          Drawings  | 
    
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| Nature 
        is Man - Man is Style Style is Abstract - Abstract is Atrophy  | 
        1987  | 
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|   Nature 
          is Man - Man is Style Style is Abstract - Abstract is Atrophy graphite and ink on paper 271 X 203 cm. (installation of 16 panels) each detail measures: 40 X 28 cm.  | 
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|   the 
          human form takes on a more important meaning  | 
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| Installations and details from: | |
|   Nature 
          is Man - Man is Style Style is Abstract - Abstract is Atrophy  | 
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|   the irony is that the pure form points to our common human frailty when applied  | 
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|   Red 
          Blue Yellow Drawings and their Applications  | 
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|   Drawing  | 
        Application  | 
    
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|   Lourdian 
          Binds 1977  | 
        1986 
          - Hinc Illae Lacrimae Lourdes, Homage to Joseph Beuys  | 
    
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|   Study 
          for Red Blue Crutch 1986  | 
        Red 
          Blue Crutch 1986-87  | 
    
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|   Blueprint 
          for Red Blue Wheelchair 1987  | 
         Maquette 
          for Red Blue Wheelchair 1986-87  | 
    
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|   Maag 
          ik Bestellen 1987  | 
        Tableau 
          1, Unie, Union with Red Blue Crutch 1986-87  | 
    
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|    Café 
          De Unie Receipt 1986  | 
        A 
          Reinvented Object 1988-89  | 
    
|   With 
          these drawings, I have attempted to show how the drawing leads to the 
          completed sculptural or painting element. To see the sculpture or painting 
          galleries please click on the links on the top of this page or return 
          to the lobby. G. Pas  | 
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|   whether pure or applied it still has to be good  | 
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 Nature 
        is Man - Man is Style I 
          was motivated to try and apply Neo-plasticist Theory to the subject 
          of the abstracted body or in medical terms the atrophied body. In the 
          late 1970's, I was not only inspired but had made contact and opened 
          a dialogue with the Austrian 'body artist' Arnulf Rainer, who had seen 
          my own contorting pieces in front of the Maximum Security Prison in 
          Canada. I have always held to a perspective that the human body could 
          also become abstract in the sense of not only contortion but also physiologically, 
          i.e., dwarfs, our societies fetish with the freak show, etc.   | 
  
|   The 
          broken bodies and freaks of the past were elevated to our gods or shaman. 
          We replaced them with a misplaced Christian notion that they were a 
          sign of God's punishment for sin, which is a falsehood based on the 
          Greek concept of the ideal pure form. To the Greeks, a broken body was 
          just a mere reflection of Ideal Form shadowed on the cave walls of this 
          imperfect material world. Ironically, many still hold on to this philosophical 
          presupposition assuming it to be as true as hEaVEN is in the sky and 
          HEll lies beneath the GrAVEyard.  | 
    
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|    "Saturn, 
          ruler of the boundaries of the planetary circle, is the god of the melancholy, 
          the sick, the crippled and the creative." By Sebastian Münster, 
          Organa Planetarum, Heidelberg, 1522. Courtesy of La Biblioteca Apostilica 
          Vaticana, Rome, MS. Pal. lat. 1368, fol. 1V  "I couldn't help but notice that the god of the depressed, sick and disabled is also the god of the creative. Sardonically, this is probably not far from the truth. How sublime that he also used a crutch and had a prosthetic leg." G. Pas "Nearly 200 years ago, Novalis asked, "Do not the best things everywhere begin with illness?" He further stated, "Our illnesses are all phenomena of an enhanced sensibility which strives to change into higher powers." Egon Friedell, in his cultural history of the modern age Kulturgeschichte der Neuzeit, even considered the "Black Death", the midwife of our era and mentions numerous scholars, explorers and artists whose physical handicaps clearly triggered compensation in higher fields of endeavour..." Uli Bohnen, "From Opposition Through Affirmation to Dialectics - The Artistic Development of Gerard P. PaS". McIntosh Gallery Catalogue: "Less of More - More of Less (PaS Plus - PaS Moins)"; The University of Western Ontario, London Canada. 1987. p. 3 To read this online catalogue "please click here".  | 
    
|   melancholic, sick, crippled and creative  | 
    
... click on any of the above images for an enlargement ...